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I must make a confession.  I had been working as a layout artist (drawing backgrounds for animation) for five months prior to drawing these pictures, which was all perspective all the time.  Then for some reason when I started drawing Pottery stuff, all respect for perspective just ... vanished.  I don't know if it was unconscious rebellion against it,  or if I was just tired and couldn't make myself care anymore, but I am ashamed to say that in some of these pictures, the perspective really stinks.  Like this one, for example.

Anyway, this is Harry in a world of funky perspective, peeking up into Honeydukes from the tunnel end in the basement.  I rendered it up all pretty in an attempt to distract the viewer from the horribleness of the perspective.  There is a term for that, in the animation world, but it may offend polite readers, so let me just say that it's not smiled upon.

Oh, and I don't know why I labeled that crate the way I did.  It just seemed like the thing to do.  Few things are more humourous than an excess of explosives in an incongruous location.


Hermione turns up in Harry and Ron's dormitory with Crookshanks on Christmas morning.  I tried pushing Crookshanks's nose in a bit more here.

Professor Trelawney sits at Christmas breakfast with great trepidation, as she makes the number of diners 13.  This one was better in the thumbnail ... 

Don't look at me, I'm reading!

Poor Hermione... only doing what's right out of concern for her friends.... In case you didn't recognize it immediately, this is when she's ratted out Harry's Firebolt to McGonagall, who comes and confiscates it, much to Harry's chagrin, and Hermione goes beet red behind her upside down book.  Am I trying to write filler text here in this big empty space?  Why yes, I believe so!  Lalalalalaaa.... 


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INDEX

All images 2004 Tealin